Showing posts with label Fact. Show all posts
Showing posts with label Fact. Show all posts

Monday, September 28, 2015

FACT mix 515: Kowton

FACT mix 515: Kowton

Tracklist:
1) Shanti Celeste – Being (Ambient Mix) (forthcoming Future Times)
2) Peverelist – Undulate (forthcoming Livity Sound)
3) Simo Cell – Cellar Door (Dnuos Ytivil)
4) Mosca – White Mice (forthcoming Not So Much)
5) Grandmo’s Kitchen – Ten Seven Eight (forthcoming Ultimate Hits)
6) Tessela – Swimming (forthcoming Poly Kicks)
7) Alex Coulton – Hand Combat (forthcoming Tempa)
8) Kowton – Bubbling Under (unreleased)
9) Hodge – Amor Fati (Peverelist Remix) (forthcoming Dnuos Ytivil)
10) Errorsmith & Mark Fell – Cuica Digitales (PAN)
11) A Made Up Sound – Half An Hour Jam On A Borrowed Synth (forthcoming AMUS)
12) Japan Blues – Stoned Bird (forthcoming Berceuse Heroique)
13) Peverelist – Grit (forthcoming Livity Sound)
14) Neuroshima – Fold (unreleased)
15) Kowton – On Repeat (forthcoming Livity Sound)

http://www.factmag.com/2015/09/28/fact-mix-515-kowton/


Tuesday, November 1, 2011

FACT mix 296 - Legowelt (Oct '11)

FACT mix 296 - Legowelt (Oct '11)

http://www.factmag.com/2011/10/31/fact-mix-296-legowelt/
www.legowelt.com

Tracklist:
Kurtis Scott / XOSAR – Uncrowned /Wolfpack
Legowelt – Danger in the Air
Somewhere in West Hell
Trackman Lafonte & Bonquiqui – Pacific House
Celestial Love Jamie Principle Your Love unreleased acid mix
Unreleased
Moonmist
California Games
Trackman Lafonte & Bonquiqui – Forever II
Occult mysteries of San Fran
Vakula – Legowelt Remix
Beautifull and Alone
Some acid stuff
Jus Ed – I’m Coming
XOSAR – Xosardonyx
Saucolito Park

Saturday, October 15, 2011

FACT mix 291: Morphosis


FACT mix 291: Morphosis

Call us unimaginative, but Lebanon isn’t the first place we associate with electronic music, nor indeed the 31st. But it’s where Rabih Beaini a.k.a. Morphosis was born and reared. Heavily involved in music even as a little nipper, he moved to Italy in 1996, and come the new millennium started releasing music as Morphosis, primarily through his own Morphine Records label.

His sinuous, cerebral house and techno confections were brought to a wider international audience when picked up for release by Aroy Dee’s Netherlands-based M>O>S Records. The ‘Cetrik’ (2009) and ‘Running Out’ (2010) 12″s caught the attention of dedicated dance-pickers, but it was the arrival earlier this year of Morphosis’s What We Have Learned LP – a co-release from Morphine, Delsin and M>O>S – that made him the talk of the (world) town.

Undoubtedly one of the electronic LPs of the year, What We Have Learned classily reconciles the experimental and the dancefloor-effective, the abstract and the immediate; influences include post-punk and krautrock, but these broken down and absorbed into the very bloodstream of the music, rather than worn like external accessories. You need only look at the calibre of remixer that the work has attracted: namely Newworldaquarium and Just For One Day (an occasional alias of Torsten ‘T++’ Profrock).

Ahead of his appearance at the Elevate festival in Graz, Austria (alongside Chez Damier, Deepchord, Move and more), Morphosis has put together a hugely enjoyable and substantial mix of chicaning techno and gritty electronics, starring Jeff Mills, Ekoplekz, Traversable Wormhole, Marcel Dettmann and Container. You know what to do.

Tracklist:

DJ Rum – Mountains part 2 & 3 [2nd Drop]
DJ Sotofett – Asis (part2) [Acido Records]
Marcel Dettmann – Barrier [Ostgut Ton]
Answer Code Request – Escape Myself [Answer Code Request]
Steve Moore – Volatile Memory (Altered) [Future Times]
Spekter – Pipe Bomb [Sound Signature]
Steve Moore – Frigio [Long Island Electrical Systems]
Jeff Mills – Mouzon [Purpose Maker]
Ekoplekz – Stahlman Gas [Punch Drunk]
Container – Application [Spectrum Spools]
X2 – Modem [Nation]
Abdulla Rashim – Asayita 1 [Abdulla Rashim]
Traversable Wormhole – A Four Dimensional Manifold [Traversable Wormhole Vol 8]
Francois X – Code Red (Marcel Dettmann Remix) [DeeplyRootedHouse]
Traversable Wormhole – Transducer [Traversable Wormhole Vol 1]
Bene Gesserit – BaiSeR D’aMouR Edit [Onderstroom Records]

Tuesday, September 13, 2011

FACT mix 281: John Heckle

FACT mix 281: John Heckle

FACT mix 281, is a slamming live session by John Heckle, a Liverpool artist who’s fast-becoming the new great white hope for those who like their house and techno music heady, psychedelic and raw.

We’re yet to run a review of Heckle’s new album, The Second Son , but trust us when we say it’s a beauty. Released on Jamal ‘Hieroglyphic Being’ Moss’s Mathematics label, The Second Son is a glorious trip through rugged house, demented acid, tweaked ambient and at one point (the unforgettable ‘The Voyager’, which also features on this mix) peak-time disco. It’s heavily indebted to classic Chicago, of course, but more than that it plays out like an unstoppable stream of self-discovery from a musician immersed in various aspects of the past.

Heckle’s gone all out for his FACT mix, so we’ll let the man himself explain. “I’ve done a special live studio performance for you, using a [Roland TR-]707 in tap mode, a Roland Juno G, a Juno 106, an Alesis Microverb 4, a Roland SP-404 and a Mackie Profx12. Every track is sequenced live and includes live keys, and tracks are bridged live with short 707 drum solos [one thing you’ll notice about Heckle, he’s got a Hell of a way with those 707 toms]. Tracks performed include ‘What Once Was’, ‘Voyager’, ‘Life on Titan’, ‘Lunik (The Dream)’, ‘4th Dimension’, ‘Ahead of Time’ and ‘R136’, as well as some tracks yet to be released and a couple of untitled jams.”

Sounds pretty special, right? Wait ‘til you hear it. Trust us on this one, whether you’ve heard of John Heckle or not, give this mix a try. Fans of Kassem Mosse, Omar-S, Hieroglyphic Being or Phuture might well find a new hero.

Tracklist:
1. John Heckle - The 4th Dimension
2. John Heckle - Life On Titan
3. John Heckle - Ahead Of Time
4. John Heckle - The Voyager (Voyeur)
5. John Heckle - What Once Was
6. John Heckle - Lunik (The Dream)
7.
8. John Heckle - r136
...
soncloud link

Download
(Available for three weeks)

Tuesday, April 26, 2011

FACT mix 241: Kryptic Minds

FACT mix 241: Kryptic Minds
@krypticminds
http://osirismusicuk.co.uk/

Dankness and fierceness aside, Kryptic Minds’ FACT mix 241 is every bit as nuanced as their own productions, with a strong, confident narrative and a spacious sound design that conspire together give it a near-cinematic quality. Listening to it, you can readily infer the kind of drum n’ bass influences that are central to Brett Bigden and Simon Shreeve’s dubstep vision: the lustrously darkside landscaping of Source Direct, Omni Trio, Photek, early Metalheadz and Reinforced. Urban music in the truest sense: inspired by, and made for, life in the city.

Kryptic Minds are perhaps best known as standard-bearers for halfstep, their 2009 debut album One Of Us (released on Loefah’s Swamp81 label) sparking renewed interest in dubstep’s rhythmic founding principles, precisely at a time when many in the London scene were opening up to the emergent sounds of funky and recombinant UK garage . It’s not that the KMs were, or are, deliberately going against the grain; they just know where their allegiances and affections lie, have little time for fashion, and have established the parameters within which their creativity best thrives.

Since 2009, Swamp81 – originally conceived to push the halfstep sound which Loefah himself spearheaded earlier in the century – has increasingly become an outlet for 808-heavy house, juke and electro-influenced music from Ramadanman, Addison Groove, Boddika et al. Kryptic Minds’ new album, Can’t Sleep, comes courtesy of Black Box, a label home to formidable 12″s from RSD, DJ Madd, Hatcha, N-Type and Cyrus. It finds them adhering steadfastly to that rhythmic tradition, but refining it down yet further to its minimalist, raz0r-sharp essence, and at the same time developing the textural and harmonic side of what they do, with a couple of ventures into out-and-out song-form.

FACT mix 241 shows you exactly where they’re at, comprised as it is almost entirely of their own productions. No less than six tracks from the new LP feature, includling Youngsta collaboration ‘Arcane’, plus seven previously unreleased dubs. The producers’ producers, Kryptic Minds are really very special, and deserving of the highest respect. Plug into their immersive, transporting FACT mix and you’ll see why.

Tracklist:
Kryptic Minds – Untitled Dub
Kryptic Minds – Untitled Dub
Kryptic Minds – Untitled Dub
Kryptic Minds – Time Flies
DJ Madd – Dub Marine – Kryptic Minds Remix
DJ Madd – Pitch Black – Forthcoming – Osiris Music uk
Matt U – Empty Inside – Forthcoming – Osiris Music uk
Kryptic Minds – Can’t Sleep
Kryptic Minds – The Fifth
Kryptic Minds – No More No Less
DJ Madd – New Reality – Forthcoming Osiris Music uk
Freeze & LX ONE – Foreseen – Osiris Music uk
Kryptic Minds – Untitled Dub
Kryptic Minds – The Things They Left behind
Kryptic Minds – Untitled Dub
Kryptic Minds – Just After Sunset
Kryptic Minds & Youngsta – Arcane
Kryptic Minds – Untitled Dub
Matt U – Unforgiven – Forthcoming – Osiris Music uk
Kryptic Minds – Untitled Dub
Kryptic Minds – Wasteland – Osiris Music uk

FACT mix 241 - Kryptic Minds (Apr '11) by factmag

Download
mediafire

Saturday, February 19, 2011

FACT mix 222: Urban Tribe


FACT mix 222 is by DJ Stingray in his Urban Tribe guise.
http://www.factmag.com/2011/02/14/fact-mix-222-urban-tribe/

Tracklist:
Station Bass - Orignal Mix 2 [Hydraulic]
Hell + Jonzon - Bazetoya [Disko B]
Silicon Scally - Proteus [Firewire]
Condition Red - The Safety Is Off [Underground Resistance]
The Advent - Wasper [Kombination Research]
Frustrated Figures - Elastic [Clone]
Matt Carter - Explode [Firewire]
Robert Hood - Ride [Minimal Nation]
Tactical Systems - Phased Energy Rectification [Roulette Rekordz]
Scape One - Omegatropic [Temple Dog]
Decal - Freekin Empires [Rotters Golf Club]
Time Trap Teknik - Future Cities [Ecko Unlimited / Kombination Research]
E8 - Clone Records
Double Dutch - Launch Detected [Marguerita]
Marco Bernardi - Morpheusis [Frustrated Funk]
Iilektrolab - Real Pimp Satamile
D.I.E. - Let Yo Body Rock [Map]
DJ Lhoie - Sublimental [Subject Detroit]
Marco Bernardi - Preacher Teacher [Frustrated Funk]
Silicon - Sonic Distress [Frustrated Funk]
Venomous - The Toxin [Underground Resistance]
3 Phase Feat. Dr Motte - Der Klang Familie [Nova Mute]
Bileebob - Call Me [Underground Resistance]
Silicon - Electron Push [Nsc]
Drexciya - Danger Bay [Underground Resistance]

FACT mix 222 - Urban Tribe (Feb '11) by factmag

Direct download: FACT mix 222 – Urban Tribe
(Available for three weeks)

Sunday, October 3, 2010

FACT mix 188: Ancient Methods

FACT mix 188: Ancient Methods

This week’s FACT mix comes from Germany’s foremost practitioners of high-octane industrial techno: Ancient Methods.
 
An unassuming duo comprised of members Beeks and Trias, Ancient Methods sent shockwaves through the dance music underground last year with their loose trilogy of eye-catchingly packaged EPs – First Method, Second Method and Third Method. Their reputation was swiftly cemented when they contributed a track to a split 12″ from experimental-leaning British label RSB, and collaborated with Regis (Downwards/Sandwell District) as Ugandan Methods on Mat Oput – 1/2.
The producers’ music itself recalls British Murder Boys, Jeff Mills, Surgeon, E Comm, Basic Channel at their steeliest – all artists who make thunderous, full-frontal and at times wilfully distorted techno that is also supremely funky and subtly layered, full of swing and dub-space. The now classic mix that they recorded for the mnml ssgs blog last year featured tracks and textures – in amidst the piledriving club material – from Atom TM, Mika Vainio, Fennesz, BJ Nilsen, which gives you some idea of their sophisticated grasp of sound design.
Ancient Methods’ FACT mix was recorded live at the Life Festival in Ireland earlier this year. “We recorded with an extra, external microphone to capture some of that live atmosphere,” they tell us via e-mail. This is techno that pines for and evokes the cavernous clubs, warehouses and repurposed industrial spaces that nurtured the sound in the early 90s, a time when the music and surrounding culture had no sense of its own future and the limitations that would come with it. True electronic body music.


 
Download: FACT mix 188 – Ancient Methods

(Available for three weeks)

Wednesday, September 1, 2010

Skudge - FACT Mix 180

Skudge - FACT Mix 180

For FACT’s 180th mix, we’re very excited to present a session by mysterious Swedish duo Skudge, the pair behind some of the year’s most talked about house records.
Skudge haven’t released a lot – prior to this year’s four singles on their own self-titled label, there was just the one 12” on alphahouse – but the quality of their output has seen them win fans across the globe, particularly ‘Convolution’, a nimble house stepper which sounds like classic Echospace thrown in a cocktail shaker, and has been played by everyone. It’s one of those tracks where even if you don’t think you know it, trust us, you’ve heard it.
But ‘Convolution’ was clearly only the beginning for this talented pair. The Skudge productions that have followed – ‘Melodrama’, ‘Ontic’, ‘Overture’ – are equally assured, operating in the space somewhere between Ben Klock, Remote Area and Basic Channel, but never sounding anything less than the incredibly individual, focused work of a remarkably talented unit. Skudge have also just contributed a remix of Iori’s ‘Grit’ for Phonica’s white label series – that came out last week, and as you’d expect, is excellent.
The pair’s FACT mix features a healthy dose of Skudge material, including an Aardvarck remix of ‘Convolution’, alongside cuts by Martyn, Mark Broom, Jeff Mills and more.


Tracklist:

1. Skudge – Convolution (Aardvarck Remix) (Skudge)
2. Martyn – Miniluv (Ostgut-Ton)
3. Marinkovic – Erotechnical Stimulation (Isophlux)
4. Vinalog – Smash The Keypad (Relative)
5. Skudge – Overture (Skudge)
6. Jak + Stepper – Jak + Stepper Sandwich (Hold The Mayo) (Evolution)
7. *G* – Monoitus (Force Inc.)
8. Mark Broom – Funked Up (Pure Plastic)
9. Skudge – Ontic (Skudge)
10. Cab Drivers – Jellyheads (Cabinet)
11. Stasis – Turnstile (Pure Plastic)
12. The Pig – Are you…? (Rush Hour)
13. Phenomyna – Everlast (Otherworld)
14. Jeff Mills – Scout (Purpose Maker)
15. Dj Sid – A (Axodya)
16. Reload – Peschi (Evolution)



 
Download: FACT mix 180 – Skudge

(Available for three weeks)

Wednesday, May 19, 2010

FACT mix 150: Marcel Dettmann

 mix 150: Marcel Dettmann

For our landmark 150th episode in the FACT mix series, we’ve enlisted the services of one Marcel Dettmann.
The timing is good, with Dettmann having just released his eponymous debut solo album, cementing his position at the very heart of the contemporary techno landscape. It’s a stark and uncompromising record, some would even say purist, and it also happens to be a roaring artistic success. Whereas most DJs and dance music producers feel obliged to diversify – and thus invariably dilute – their sound when making an album, Dettmann has gone the opposite way, producing a record as focussed and mercilessly linear as a laser-beam. As FACT’s Andrew Ryce rhapsodised in his review of the album, “in [Dettmann's] world there’s no more microhouse, no more ‘mnml’, no more ‘boring tech-house for elevators’, there’s only techno.”
Though understandably best known for his culture-shaping role as resident DJ at the iconic Berghain club in Berlin, Dettmann is an increasingly illustrious producer. Dettmann might be his debut solo LP, but the Pössneck-born 31-year-old has been making superlative dance music since 2006, beginning with the Klock collaboration ‘Dawning’/'Dead Man Watches The Clock’ that then gave rise to an exceptional mini-album, Scenario. Solo Dettmann 12″s have come not only via the Ostgut-Ton label but also Beatstreet and most notably MDR, Dettmann’s own bespoke white-label imprint. That sequence of no-frills releases, together with the mix CD Berghain 02, are arguably Dettmann’s most significant releases to date; Berghain 02 in particular has proved to be highly influential, helping introduce the wider world to the demure-yet-brutalist Berghain sound and the work of a new generation of underground luminaries like Norman Nodge and Shed. As a remixer too Dettmann has shown himself to be a deadly and versatile operator, taking on the likes of Sandwell District, Scuba and Martyn, and creating a wobbly modern dancefloor classic in his version of Deetron’s ‘Let Get Over It’.
For his FACT mix, freed from the need to formally represent Berghain and anyhow very well attuned to the diverse, discerning tastes of our readers, Dettmann digs deep into his collection and exhibits a number of little-known but time-honoured tracks alongside up-to-the-minute dancefloor detonators. Using two turntables, two CDJs and a sampler, he moulds this formidable selection into a spellbinding narrative – in FACT’s humble opinion one far more subtle and gripping than we’ve heard on any of his previous recorded mixes – beginning with the brittle, low-frequency electronica of Arpanet’s ‘Heisenberg Compensation’, a divine 2005 production by Drexciya/Dopplereffekt’s Gerald Donald.
Throughout the mix we’re taken back to the future, so to speak, bombarded with edu-taining classic cuts like Cristian Vogel’s ‘Artists In Charge of Expert Systems’ (1995), Hecate & Kareem’s ‘The Payback’ (1996)  and CTI’s ‘Conquest’ -  a head-spinningly advanced 1984 transmission from TG’s Chris Carter and Cosey Fanni Tutti. Other vintage productions from Herwig Maurer, Stefan Robbers and others abound, but there’s plenty of space for the new as well, with recent and some as-yet-unreleased productions from Norman Nodge, Tangula and Redshape. We finish up with Richard D. James’ classic Polygon Window cut ‘UT1 Dot’, a fitting conclusion to a mix that isn’t just about Dettmann’s fine ear and DJing nous. FACT mix 150 is, more than anything, about affirming and celebrating the techno continuum – that desire, be it in 1984, 1995 or 2010, to plough on forward, and to make the future happen now. More...

Tracklist:
1. Arpanet – Heisenberg Compensation [Rephlex, 2005]
2. Sabre – Leveling Out pt.2 [Critical, 2010]
3. Kotai & Mo – Silencer [Elektro Music Department, 1997]
4. CTI – Conquest [Conspiracy International, 1984]
5. Cristian Vogel – Artists In Charge Of Expert Systems B1 [Mosquito, 1995]
6. Hecate & Kareem – The Payback A1 [Zhark, 1996]
7. Morphosis – Running Out [M>O>S, 2010]
8. DJ Yoav B. – Soul Surrender [Delsin, 2010]
9. Stefan Robbers – Backxpin [Ifach, 2000]
10. Steve Poindexter – Mental Problems [Chicago Underground, 1991]
11. Drexciya – Aquatic Bata Particles [Rephlex, 1994]
12. Tangula – Descending II [Diametric, 2010]
13. Redshape – Drama [Present, 2010]
14. Monojunk – Monotone Fantastique [Unknown]
15. Sian – Oblette – (Norman Nodge Remix) [Unknown]
16. Herwig Maurer – Utopia [Telepathic, 1997]
17. Polygon Window – UT1-Dot [Warp, 1992]

Download: FACT mix 150 – Marcel Dettmann
(Available for three weeks)

Monday, May 3, 2010

FACT mix 146: Mike Dehnert

FACT mix 146: Mike Dehnert


FACT mix 146 is a blistering live set from one of techno’s deadliest operators, Mike Dehnert.
The set was recorded last month at Berghain, just one of the clubs that Dehnert razes to the ground on a regular basis. With a sleek but muscular sound, bass-rooted and with unbelievable flex and skip to its rhythms, there’s something wonderfully urgent and essential about Dehnert’s tracks – not a single note or drum-hit is wasted. Though the lurching syncopations might at times make you think of dubstep and garage, fundamentally we never deviate from the main business of  industrial-burnished and tunnelistic techno. It’s serious stuff, for sure, but it’s totally ecstatic to boot.
Berlin-based Dehnert has been releasing music under his own name since 2007, chiefly via his own Fachwerk imprint. Fachwerk has become one of the most trusted techno labels there is, always delivering the club-coshing goods, and acting primarily as a showcase for Dehnert’s productions but also thosae of Sascha Rydell and Roman Lindau. Dehnert has also recently been enjoying an association with Rotterdam’s Clone Records, releasing the ‘Umlaut 2′ 12″ last year on Clone Basement Series (b/w Levon Vincent’s remix, one of 2009’s biggest club tracks), and with another coming imminently. Oh, and then there’s MD2, his ultra-limited white  label (or, more accurately, red label) series, the first instalment of which dropped earlier this year, and the second of which is due out this month.  As if that there’s not enough, further 12″s in the next couple of months are promised on Echochord and Fachwerk, and a  2×12″ Fachwerk album is planned for a little later in the year. 2010 is going to a be a big one for this industrious and humble hero of the underground.
Taken from a genuine live set (as opposed to the kind of chancer’s “live” set that’s so common these days), performed with on-the-fly modulation and arrangement and with noticeable breaks between tracks, this 30-minute cut is a perfect introduction to Dehnert’s power and prowess, and a pleasing affirmation for those who already know it well.  Listen loud and listen well.



http://www.factmag.com/2010/05/03/fact-mix-146-mike-dehnert

FACT mix 145: DJ Overdose

 FACT mix 145: DJ Overdose 


DJ Overdose probably isn’t a familiar name to most of you, but it bloody well ought to be.
FACT was first introduced to this veteran purveyor of electro, hip-hop and Miami bass (his collection of the latter is world-renowned) through When I Sold My Soul To The Machine, a brilliant documentary about the Hague electronic music scene centered around I-f, Legowelt, Bunker Records, Syncom Data et al (be sure to check it out on YouTube).
Obsessed with hip-hop from the off, Grandmaster Flash’s ‘The Message’ and Freeze Force’s ‘Boogie Down Bronx’ inspired Overdose to take up DJing aged 16, and he went on to produce beats for local Hague rappers. His first release to generate real interest outside of the Netherlands was the ‘Trust Me’ 12″, which came out on I-f’s Murder Capital label in 2002; it was followed in 2007 with his biggest record to date, ‘The Beat’. Most recently came the far moodier, more introspective and soundtrack-influenced In For The Kill LP, released on Danny Wolfers’ Strange Life label last year.
As well as his solo productions, Overdose is engaged in a number of collaborative projects, most notably Novamen (with Mr Pauli) and The Hasbeens (with Alden Tyrell) – both have a strong italo flavour to them, though our man claims not to own a single italo record. We’re particularly into the Hasbeens gear: check out the none-more-uplifting (albeit pretty sardonic) Clone cut ‘Keep Fooling Yourself’ here, it’s an absolute barn-stormer.
Overdose’s mix was recorded 100% live and exclusively for FACT, a hip-hop-biased take on the WBMX sound featuring tracks from the likes of Daniel Sofer, 2 Live Crew, Shannon, Geto Boys and Ice-T. Get into it, and read the interview with our selector over the page.


Tracklist:
1. lisa lisa and the cult jam – i wonder if i take you home
2. daniel sofer – rhythm rock rap
3. agallah – club hoppin’
4. dj overdose – know who you are
5. 2 live crew – what i like
6. safire – let me be the one (dub beats)
7. p-funk all stars – hydraulic pump
8. break machine – breakdance party
9. C.O.D. -  in the bottle
10. ciara – 1′2 step
11. shannon – give me tonight (dub)
12. sparky d vs the playgirls – the battle
13. ice t – body rock
14. eric b and rakim – my melody
15. just ice – booga bandit bitch
16. the b boys – stick up kids
17. sir mix-a-lot – gortex
18. stetsasonic – bust that groove
19. fat boys – big and beautifull (dubapella/instrumental)
20. geto boys – my minds playing tricks on me (dirty)
21. krs-one – 13 and good
22. kool g rap – on the run (dirty untouchable version)
23. geto boys – city under siege

http://www.factmag.com/2010/04/30/fact-mix-145-dj-overdose

Saturday, April 17, 2010

FACT mix 141: Greg Wilson


mix 141: Greg Wilson

Merseyside-born in Wilson is best known for championing early electro with his nights at Wigan Pier then Manchester’s Legend club – people would travel all over from the North and the Midlands to hear Greg spin, and he quickly earned himself prestigious mix slots on Mike Shaft’s popular Piccadilly Radio show – these mixes would prove profoundly influential on a whole generation of budding dance music DJs and producers, and, as Dave Haslam once remarked, “they were some of the most taped programmes in Manchester radio history”. Our man encountered all kinds of hostility from jazz-funk and soul purists for his advocacy of more angular electronic styles,  but he perservered in the face of it, and thank god.
In 1983 Wilson began a residency at The Hacienda, helping establish the night’s reputation as a home for cutting edge club music with killer sets of electro-funk, disco and boogie: these sets not only placed him at the centre of Blighty’s emerging hip-hop culture, they also prepared the ground for the late 80s house and techno sounds that would soon take The Hacienda, and young Britain at large, by storm.  To the surprise of many, Wilson withdrew from DJing in 1983, choosing to focus more on production projects like Ruthless Rap Assassins, and curating compilations including the seminal Street Sounds UK Electro album (1984) and Classic Electro Mastercuts (1994).
The last decade thankfully saw Greg make a welcome return to the DJing fray, but the real renaissance began with Tirk’s brilliant Credit To The Edit 12″s and CD compilations, which celebrated the veteran’s unique and deliciously raw reel-to-reel editing technique. Since then he’s since become a fixture of our nightlife once more, DJing all around the world and showing off his chops as re-editor and remixer across various essential vinyl releases. On April 24 he’s appearing at one of Together’s whopping parties in London’s Coronet Theatre, alongside DFA duo Holy Ghost!, In Flagranti and more. For more information and tickets on that night – which also stars Cassius and Kavinsky, among others – click here.
Greg’s FACT mix was a DJ set recorded live at Miami Electric Pickle on March 24, and finds our man in righteously funky, agelessly inspirational form. Enjoy.

Tracklist:
1.      6th Borough Project – How can I show you (GW ‘bomb’ re-touch)
2.      Duff Disco 002 – Return of the duff
3.      6th Borough Project – Do it to the max
4.      Crazy P – Lady T (GW edit)
5.      Duff Disco 003 – Do that thang
6.      Young Dog Alien – Gotta keep workin’ it (GW mash-up)
7.      Stevie Wonder – Superstition (Todd Terje edit)
8.      The Bangles – Walk like an egyptian (Todd Terje edit)
9.      Killer Funk Disco Allstars – Things you do to me
10.    Sgt Lovebody – Skippy’s down the well
11.    Aretha Franklin – Rock steady (DK edit)
12.    Rufus Feat Chaka Khan – Ain’t nobody (Frankie Knuckles hallucinogenic mix)
13.    Blondie – Rapture (6ms edit)
14.    Linkwood – Falling
15.    Elektrons – Get up (GW special version)
16.    Fatback Band – (Are you ready) do the bus stop


Download: FACT mix 141 – Greg Wilson
(Available for three weeks)

FACT mix 140: Fiedel (MMM)


mix 140: Fiedel (MMM)

MMM – the Berlin-based duo of Erik Wiegand and Fiedel – make unashamedly banging music, rooted in the finest traditions of techno, disco and electro. But there’s more to their tracks than mere club-quaking gusto: a kind of wildness and instability that no conventional producer would dare countenance, coupled with a surgical attention to detail that no conventional producer would even be capable of. This is music that sounds live, alive, intuitive, but also utterly disciplined and deliberate: elements are looped, tweaked and exaggerated to the point of near-abstraction; ‘Nous Sommes MMM’ doesn’t so much run along from A to B as jut out at you – we’re talking about electronic dance music that’s truly three-dimensional.
It’s no surprise, then, that MMM are one of the best-loved and most respected production duos on the planet. They’re not exactly prolific though: since 1996 they’ve released only five records, all via their own Hardwax-distributed MMM imprint. In 1997 they delivered ‘Donna’ – a bona fide club classic that in thirteen years has lost none of its pulverising, grin-inducing power.
Why so erratic though? After the first MMM release (MMM 1), the duo began to spend more time on separate endeavours: Erik developed the loop-frenzy aesthetic with his solo project Errorsmith, and with friend Frank Timm (Soundstream/Soundhack) as Smith ‘N Hack. Fiedel, a long-time fixture in the Berlin techno scene, continued to DJ, taking up a residency at Berghain that has continued to this day.
Fiedel’s DJing obliterates any notion you might have that Berlin or indeed Berghain is all about austere minimalism. His FACT mix is techno in character but positively loaded with 2-step variations and UK funky; while most selectors who attempt to bring together Detroit/Euro-centric 4/4 and British bass gear end up with a toothless, tokenistic hybrid that’s unsure of its own groove, Fiedel gets it spot on: in his hands the leap from Rejected’s expansive warehouse techno into the knotted grime of Outlaw Breaks sounds natural and effortless. Anthony ‘Shake’ Shakir, Shortstuff & Hyetal, Radio Slave, Skream, Shed and Roska all feature in FACT mix 140, without doubt one of the most lip-bitingly full-on, anthemic and fun FACT mixes of 2010 so far.

Tracklist:
01. Shake. Stereotype. Frictional 008
02. Skream. Minimalistix. Nonplus 004
03. Greena. Actual Pain. Apple Pips 010
04. Shortstuff & Hyetal. Don’t Sleep. Punchdrunk 015
05. MMM. Unreleased (Live Version). MMM 5
06. Roska. Holograph. Fantastic Four 001
07. Martyn. Suburbia. Apple Pips 001
08. Radio Slave. Neverending. Ostgut-Ton 022
09. Equalized – A. Equalized 003
10. D-Malice. Refix EP – Gabryelle Refix 001
11. MMM. Nous Sommes MMM. MMM 4
12. Rejected. Peanuts. Figure 020
13. Outlaw Breaks. Dutty – Dub Mix. Left Records 008
14. Jona. Secret 47. Planet E 65297


Download: FACT mix 140: Fiedel (MMM)
(Available for three weeks)

FACT mix 139: Alex Smoke

 mix 139: Alex Smoke


Most producers take a few years to mature, but ever since he first set eardrums thrumming with his debut ‘Random As’ 12″ in 2002, Alex Smoke – real name Alex Menzies – has been releasing work far more visceral and sophisticated than that of people twice his age. His sound is rooted in sinewy experimental techno, and can be heard in full on effect on devastating dancefloor 12″s for Vakant and Soma, as well as the more expansive, nuanced LPs Incommunicado and Paradolia, and of course his club-quaking live sets as well.
Having long harboured an interest in minimalism and modern classical composition, Menzies got the opportunity to remix Steve Reich in 2006, acquitting himself beautifully, and more recently has been working with the renowned Scottish Ensemble on a piece called Kinesis. This month sees the release of Lux, his third studio album, and his boldest offering yet. Though techno is still very much in its blood, Lux is a more structurally odd and exploratory record than its predecessors, disorientingly sensuous and totally unpredictable.
You can get some idea of what to expect of Lux from ‘Ikos’, which Menzies opens his FACT mix with. After a reflective start, it doesn’t take long for our man to reach a gallop, dropping fresh meat from Claro Intelecto, Levon Vincent, MMM (the ubiquitous ‘Nous Sommes MMM’) and Lory D, and trusty steppers from the likes of Floating Points and Zomby. Shackleton, Brinkmann, Steve Pointdexter, Actress and Autechre also feature in what is, quite frankly, a heavy, heavy selection. Read More...

Tracklisting:
Alex Smoke – Ikos (Hum+Haw)
Autechre – R Ess (Warp)
Zomby – Test Me For A Reason (Hyperdub)
Shackleton – (No More) Negative Thoughts (Perlon)
EPY – Hannah (Pomelo)
The Seducers – Unavoidable Infiltrators (Cytown)
Deadbeat/Fenin – Teach The Devil’s Son (Echochord Colour)
Levon Vincent – Double Jointed Sex Freak Pt 2 (Novel)
Claro Intelecto – New Life (Modern Love)
Brinkmann – Lucky Hands (Max Ernst)
Steve Poindexter – Maniac (Area’s Lost Meaning Version) (Mathematics)
Fever Ray – Seven (Marcel Dettmann Remix) (Rabid)
Lory D – Street Vision (Rephlex)
MMM – Nous Sommes (MMM)
Actress – Paint, Straw And Bubbles (Zomby Remix) (Honest Jons)
Floating Points – K&G Beat (Planet Mu)

Download: FACT mix 139 – Alex Smoke
(Available for three weeks)

Tuesday, March 16, 2010

FACT mix 132: Peverelist

 mix 132: Peverelist

Ah yes, Peverelist’s FACT mix. It was “recorded live with two turntables and a bag o’ acetate” just last week, and is “choc full of exclusives”. Our selector has politely declined to give us a tracklist, which only adds to the thrill of hearing so much new and energetic material. Apart from the aforementioned ‘Bass Is Maternal’ and the ubiquitous ‘Footcrab’ (by Addison Groove), we recognise nothing, though we reckon there are at least two previously unreleased Peverelist tracks included (those drum sounds couldn’t be from anyone else). The rest is all speculation at this stage. What is certain is that this is one of the most fluid, exciting and oven-fresh mixes we’ve ever had the pleasure of hosting.  So, if you want to know what the future sounds like, listen up good.

Download: FACT mix 132 – Peverelist
(Available for three weeks)

FACT mix 130: Prins Thomas

 mix 130: Prins Thomas

A Norwegian disco producer, Thomas works closely with Hans-Peter Lindstrom, and the pair have released three album length projects together now, including last year’s gorgeous Lindstrom and Prins Thomas II. He’s also one of Europe’s most acclaimed DJs and remixers, and the head of the Full Pupp label, who’ve released records by Todd Terje, Diskjokke and more.
Later this month, Prins will be releasing his debut solo album via the label. “I haven’t really thought about doing a proper solo album before”, says Thomas. “As just finding the time for my solo 12”s in-between [remixes] has been hard enough.
”The album came together quite quickly. The week after HP [Hans-Peter Lindstrom] and I finished mixing down II, I had a couple of ideas floating around and – having just had a good run in the studio – I was feeling really inspired.”
The self-titled Prins Thomas was recorded in its maker’s Oslo studio, “with HP next door and [Todd] Terje across the hall.” Lindstrøm plays keyboards on ‘Wendy Not Walter’ and clavinet on ‘Sauerkraut’, with Terje adding trumpet to the latter. Fans of Thomas’s tripped-out sound will know what to expect – a collision of disco, kosmische, krautrock, house and faintly Balearic pop, always with a firm emphasis on groove.
There will be a launch party for the album at London’s Corsica Studios on March 12. Room 1 hosts Espen Haa, Tensnake (live) and the Prins himself, while Dubby, Psychemagik and Hunee get busy in Room 2. Proceedings roll until 6am, so you know it’s a good one.
To get you in the mood, download Prins’s mix for FACT. A surf-soaked epic, it’s one of the most enjoyable we’ve had the pleasure of hosting to date.
Mix sleeve photo by Rene Passet




Tracklist:
Sadistic Mika Band – Mummy Doesn’t Go to Parties Since Daddy Died
Jean Luc Ponty – Renaissance
Ralph Lundsten – Lifetide
Pat Metheny Group – End of the Game
Neil Ardley – Kaleidoscope of Rainbows – Rainbow 1 (edit)
Richard Schneider Jr. – Fata Morgana (edit)
Baden Powell – Cegos do Nordeste
Venice Arkestra – WEWW014 (edit)


Download: FACT mix 130 – Prins Thomas
(Available for three weeks)

Tuesday, February 23, 2010

FACT mix 126: Space Dimension Controller


mix 126: Space Dimension Controller

The alter ego of 19-year-old Belfast-dweller Jack Hamill, Space Dimension Controller has only released one single to date, ‘The Love Quadrant’, but it was one of the most distinctive and compelling debuts of 2009, earning a place in FACT’s Top 100 Tracks of that year. Inhabiting a wistful, pop-psychedelic but low-end-savvy world somewhere between house, electro and techno-funk, with vocals coming courtesy of Jack’s girlfriend Kat,  ‘The Love Quadrant’ marked the arrival of a serious and singular talent.
Since then we’ve had the pleasure of hearing several more SDC productions, and they’re all top-notch. Hamill puts real love and attention into chords and harmonic composition, and boy does it pay off: imagine Prince, James Stinson and Manuel Gottsching hitting the studio together and you’ll have some idea of how sumptuous and fantastical this music is.
Space Dimension Controller’s charms haven’t gone unnoticed; Kyle Hall (whose next 12″ is out on Hyperdub) loves his sound and the pair are collaborating on new material for the Detroit house prodigy’s Wild Oats label. SDC’s next release – the Journey To The Core of The Unknown Sphere EP -  is coming out via Rotterdam’s mighty Clone Records, and features a remix of the title track by Hall.
Jack is a participant in the 2010 Red Bull Music Academy and will be playing alongside Roska, DOOM, Katy B and many more for the A Taste of Sonar event at The Roundhouse on Saturday 6 March. Then, the following day, Sunday 7 March, there’s a chance to catch him at FACT’s free Lock Tavern party, where he’ll be warming up for Rustie, MJ Cole and Joy Orbison. Arrive early to catch the man in action.
Space Dimension Controller’s FACT Mix is an adventure and a half, and the perfect introduction to his bold aesthetic, boasting no less than six of his own productions, not to mention the aforementioned Kyle Hall remix. With both youthful insouciance and a very mature sense of selection and sequencing, SDC drops tracks from Round One (Basic Channel), Mike Dehnert, Model 500, Jimmy Edgar and Drexciya-related Der Zyklus, putting his own unique stamp on them through a litany of craftily deployed loop, delay and dub effects.
Dare we say it, it’s the most warm, original and insistently funky mix we’ve hosted so far this year. Download, listen, read the interview over the page and get wise to SDC before all the fools check in.

Tracklist:
1. Zapp – Computer Love
2. Jonzun Crew – Pack Jam
3. Space Dimension Controller – The Love Quadrant
4. Space Dimension Controller – Electropod-250
5. Class Action – Weekend
6. Space Dimension Controller – Transatlantic Landing Bay
7. X-District – Color Correction (Jimmy Edgar LTNT Remix)
8. Space Dimension Controller – Mercurial Attraction
9. Space Dimension Controller – Cosmo30 Travel Duration
10. Space DImension Controller – Journey To The Core of The Sphere Unknown
(Kyle Hall’s I’m Only Breathing Remix)
11. Round One – I’m Your Brother (Club Version)
12. Model 500 – I Wanna Be There
13. Round One – I’m Your Brother (Chicago’s Twisted Mix)
14. Jamie Jones feat. Egyptian Lover – Galactic Space Bar
15. Mike Dehnert – Umlaut2 (First Version)
16. Duplex – Censory (Remix 1)
17. Der Zyklus – Formenverwandler
18. Space Dimension Controller – Fluorescent Trails

Download

Friday, February 12, 2010

DJ Harvey’s remix of House of House’s ‘Rushing to Paradise’


Who remembers ‘Rushing to Paradise’?
That’s right, House of House’s at-one-point ubiquitous house epic from last year that was either genius or awful, depending on who you spoke to (and really, depending on whether that person could stomach the vocal or not).
Well ‘Rushing to Paradise’ has been re-released this month with a remix from none other than cult UK disco punk DJ Harvey. A dubbed out remix, it doesn’t actually feature much of that vocal at all. Which could be a very good thing, depending on who you talk to.
Download: House of House – Rushing to Paradise (DJ Harvey’s Streets Mix)

(Available for seven days)

Thursday, February 11, 2010

FACT mix 122: Autechre

 mix 122: Autechre

Autechre have recorded our 122nd exclusive FACT mix. Autechre. Do we really need to explain who they are?

For those who need reminding: Rob Brown and Sean Booth are among electronic music’s most important yet elusive characters, two b-boys from the north-west of England who have been stretching their formative loves – hip-hop, electro and early house music – into ever more abstract and otherworldly climes, beginning with the 1991 single ‘Cavity Job’.
The duo joined the Warp Records family in ‘92, contributing two show-stealing tracks to  the label’s seminal “electronic listening music” compilation, Artificial Intelligence, before delivering their own shockingly original debut full-length, Incunabula. That album took familiar dance music tropes – breaks derived from electro, gloopy synth textures from Chicago acid – and modelled them into totally fresh configurations, adding a very British industrial burnish and post-rave melancholy to the mix. If the three albums that came next – the masterful Amber (1994), Tri Repetae (1995) and Chiastic Slide (1997) – found the group evolving at a steady pace, ’98’s LP5 and 2001’s Confield represented a quantum leap. Autechre’s music by this point had become more akin to sound-art, a (paradoxically) busy electronic minimalism that took the deconstruction of the breakbeat to vociferously scientific extremes.
It’s true that much of Autechre’s noughties work alienated those drawn to the broader techno-romanticism of their early records, with Draft 7.30 (2003) and Untilted (2005) scaring many off for good, but their most recent full-length – 2008’s Quaristice – was almost unanimously acclaimed, and deservedly so. Sure, it was still an intimidating work, but one of often great beauty and three-dimensional complexity, the kind of album you could listen to for years and never fully fathom. It was as if the future had almost – but not quite – caught up with Autechre. Next month, March 22 to be precise, Quaristice’s eagerly awaited follow-up, Oversteps, is due to be released through Warp, and early whispers are already proclaiming it to be among the very best of Autechre’s career.
Of course, there’s more to Autechre than their albums – a vast array of singles, EPs, remixes and collaborative projects that fill in the gaps in the narrative. In 2003 they curated the fourth edition of ATP, selecting the best line-up in the festival’s history: Anthony ‘Shake’ Shakir, Public Enemy, Jim O’Rourke, Coil, Bernard Parmegiani, LFO, The Fall, Sunn O))) were among the artists who performed. As a live entity themselves, Autechre are one of the most intense and transporting you will ever encounter; it’s face-to-face, in the flesh, that their sound really comes alive.
To coincide with the release of Oversteps, Autechre are embarking on a tour that culminates with a headline performance at the 2010 Bloc Weekend, taking place at Butlin’s in Minehead, UK on March 12-14. You ought to be there.
And so here it is. Autechre’s FACT mix. Rob and Sean – who we interviewed in-depth in 2008 – have declined to talk about the mix itself, telling us that “it’s just some tunes [they] like”. No tracklist either, so spotters, please do you worst. What we can tell you is that the mix is an unpredictable, kaleidoscopic affair, rooted in sinuous leftfield hip-hop but with bursts of tremulous ambient electronics, techno, hectic breakbeats and, at one particularly memorable point, metal. We needn’t tell you how rare recorded DJ-mixes from Autechre are, so please, don’t sleep on this.

Tracklist:
1. [00:00]
2. [03:25] Sensational - Thick Marker - WordSound - 1997
3. [05:03]
4. [06:45]
5. [10:28]
6. [12:15]
7. [13:40] Raekwon - Broken Safety - Ice H2O Records - 2009
8. [16:09] Q-Tip & Free Murder - Just A Lil Dude "Who Dat Ovah There" - Koch Records - 2007
9. [19:32] J Dilla - Won't Do (Instrumental) - BBE - 2006
10. [23:10] Black Milk - Danger - Music House - 2005
11. [25:02]
12. [28:04] Black Milk - Sound The Alarm - Fat Beats - 2006
13. [30:15]
14. [33:13] Venetian Snares - Punishing The Atoms - Isolate - 2000
15. [38:50] Todd Terry?'
16. [42:06] Percee P - Throwback Rap Attack - Stones Throw Records - 2006
17. [45:00] Tuff Crew - Behold The Detonator - Warlock Records - 1989
18. [47:00] Ultramagnetic MC's - Break North - Next Plateau Records Inc. - 1988
19. [50:00] Strafe - Set It Off - Jus Born Records - 1984
20. [52:50] Necrophagist - Diminished To Be - Relapse Records - 2004
21. [56:26] Bernard Parmegiani - Ondes Croisées - INA-GRM - 1984
22. [58:27]
23. [61:30]
24. [62:32]
25. [65:45] Meat Beat Manifesto - Radio Babylon - Play It Again Sam Records - 1990
26. [68:54]
27. [72:00]
28. [74:40]

TNX for tracklisting to mp30303 from robotsforrobots.net

Download: FACT mix 122 – Autechre
(available for three weeks)

Monday, January 25, 2010

FACT mix 116: Shed



mix 116: Shed

The Berlin-based producer and DJ, real name Rene Pawlowitz, has steadily built a reputation as one of the most consistent and imaginative techno artists of the contemporary era. Despite the adulation, he remains a humble and reserved fellow, one who seems to revel in his outsider status and the freedom it affords – it’s not for nothing that his label, launched in 2004, is called Soloaction.
He’s existed on the periphery of our vision since the mid-noughties, thanks to classic Delsin, Styrax and particularly Soloaction releases like the Looking Back EP and ‘These Kinky Dudes From Germany’, but it was in 2008 that Shed really grabbed us by the nads. First came the remarkable single ‘Warped Mind’, and then his quietly monumental debut album, also released on Ostgut-Ton (home to Marcel Dettmann, Ben Klock et al). Shedding The Past found this producer coming to terms with techno’s charged history while also doing everything in his power to nourish and dictate its future, matching melancholy, serotonin-depleted synth melodies to impeccably swung rhythms derived not just from straight techno but dubstep, garage and hardcore.  Not for nothing was it ranked as one of FACT’s albums of the decade.
Since then, Pawlowitz has become an ever more vital presence in, and agent of, forward-thinking dance music: his remixes for the likes of Peverelist, Substance, Radio Slave and particularly  Taho (‘Energy Fields’) have been genuinely adventurous while also sating the demands of the dancefloor, and his two ongoing, “anonymous” 12″ series, Equalized and Wax – both distributed by the Hardwax store where he works – are remarkable for their elegant subversion of modern techno’s rhythmic givens. And for just being, well, lip-bitingly brilliant.
In summary, and in case it’s not obvious by this point, we love Shed; in fact, when he first floated the idea of recording a FACT Mix we had to have a gin-and-tonic and a lie-down before responding. The mix reflects its makers ongoing interest in dubstep and post-garage forms, with tracks from the likes of Peverelist, Martyn, Joy Orbison, Zomby and Skream (the oft-overlooked ‘One For The Heads’) enjoying prominence, but that’s just one strand of a diverse and hugely rewarding selection: look out for hard and raw techno from Surgeon and Underground Resistance, deadly warehouse minimalism from Pan Sonic and Marcel Dettmann, and out-and-out rave anthems from Aphex Twin, Drexciya and Link.

Tracklist:
Moving Ninja – Uranium – Tectonic
Distance – Empire – Hotflush
Peverelist – Esperanto – Punch Drunk
Elemental – Metal Funk – Runtime
Moderat – Rusty Nails – Bpitch
Black Pocket – U’re A Sta (Martyn Remix) – Fat City
Skream – One For The Heads – Tempa
Elemental – Shiner – Urban Graffiti
Aphex Twin – Digeridoo (Live in Cornwall) – R&S
Drexciya – Water Walker – Submerge
Link – The Augur – Evolution
UR- The Seawolf – UR
Surgeon – Dry – Dynamic Tension
Joy Orbison – Wet Look – Hotflush
Loefah -  Twisup Vip (RMY by Youngsta & Task) DMZ
Pan Sonic – Vampina 2 – Blast First
MDR – Rerun – MDR
Zomby – Strange Fruit – Ramp
Shed – Supa – Soloaction

Download: FACT mix 116 – Shed
(Available for three weeks)

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